The exhibition marks the first presentation dedicated entirely to Freeman Bentley’s works on paper, an important aspect of her artistic practice. Through a series of domestic interiors devoid of human presence, the artist explores the idea of reflection, both literal and psychological, and the ways in which mirrors and reflective surfaces can suggest illusion, perception and multiple viewpoints.

Recurring motifs of mirrors and reflections blur the boundaries between fact and fiction, inviting viewers to consider the emotional resonance of familiar interior spaces.

Until 24 April
Canopy Collections, 3 Bloomsbury Pl, London WC1A 2QA