Matisse’s Large Reclining Nude (The Pink Nude), 1936 provides the starting point for this collection of new work which features digital technology that disintegrates Matisse’s painting through progressive pixellation to explore the manner in which computers process images, losing data and information through translation, thus recreating facsimiles.

The videos are accompanied by paintings which shimmer and glow and that situate and question the body in relation to technology, the object and the image.

Until 12 November

Simon Lee Gallery, 12 Berkeley Street, London W1J 8DT